Talented Iranian American Top Ranked in Film Competition

July 8, 2010

Ali Tabibnejad knew he was meant to be a film-maker since he was a child in Ahvaz. He would go into a room by himself and act out entire films. He imagined an entire film industry in his head: from different studios — different rooms in the house– to different theaters and directors. He would even imagine sales figures for the films and pick winners among them in imaginary film festivals.

Now, Tabibnejad is turning his favorite childhood game into reality. His film, “Untitled for James,” is currently ranked as one of the top six films in Openfilm’s Get It Made Competition. “Untitled for James” is about connecting to people and how technology affects that connection. It is the story of a son who has given up on his father because the father has been a technology-obsessed workaholic, working on advancing technology and its promise all his life. The son, an anti-technology musician, thinks he has figured it all out, but in actuality his life is in tatters. Through the events depicted in the film, his father succeeds in connecting with him.

The creation of the film was no small feat. Just days before production was to begin, Tabibnejad lost his lead actress. With challenging and frantic last minute rewriting, Tabibnejad did not stop rewriting until the very last edits in the post-production.

When asked about his interest in film-making, Tabibnejad stressed the social nature of art. “I hope to be a filmmaker in the tradition of Mohsen Makhmalbaf, not just because I have admired his films growing up, but also because he uses his status as an artist for social change,” he told NIAC. “I believe that the platform for expression that artists are afforded in society brings with it the responsibility to fight for the freedom of others.”

Asked whether he views himself as a role model for other Iranian-American involvement in the arts, Tabibnejad replied, “No, but I hope to be one. Iranians are a talented people, often intimidatingly so, and if my story inspires any Iranian to commit to the arts, I would count myself blessed.”

If Tabibnejad’s “Untitled for James” is still ranked as one of the top six films at the end of July, he will have the chance to turn it into a feature film. With this jumpstart to his career, Tabibnejad hopes to later revisit and explore his Iranian roots through cinema. “I don’t think any film has done justice to the richness of Iran’s recent history… and the breadth and depth of the personal stories that Iranians have been the heroes of in the last thirty to forty years.”


Will the Real Iranians Please Stand Up?

June 17, 2010

In the past three decades, American perceptions of Iran have shifted dramatically.  The very people who once had an empire, who drafted the first human rights declaration, and who were one of America’s closest allies in the Middle East are now among the most misunderstood and discriminated-against populations in the country.

First, Iran was labeled as a member of the ‘axis of evil’. Then, in the movie 300, Persians were depicted as pillaging, deranged savages wearing rags. Public officials and famous politicians oftentimes make off-hand and flippant comments about killing or hating Iranians.

All of this has led much of the public to equate all Iranians in their minds with terrorists and suicide bombers.  (I actually had a World History teacher tell one of the Iranian-American kids in my class to be quiet because “All Iran exports is terrorism.”)

With Prince of Persia, we were finally portrayed in a good light. Our ancient world was being shown in romantic and mythological ways based on revered Persian literature, The Book of Kings and A Thousand and One Nights. For once, my dad said he’d actually sit through a movie without falling asleep. We were all excited.

We should have known that it wouldn’t last long…

Enter: Jersey Shore — The Persian Version.

“Two thousand years ago the Persian Empire ruled the ancient world…but they didn’t have your soundtrack, your style, or your swagger,” reads the casting call for the new reality show, seeking “anyone who uses exotic appeal to get anything or anyone [they] desire.”

For anyone who has not seen Jersey Shore, the show currently consists of a cast of young Italian Americans, whose “reality”-show lifestyle is little more than drinking and partying. They live on the beach, but refuse to tan anywhere but a tanning salon, and take an hour to get ready, with a lot of hair gel and a lot of hair spray involved. The characters either hook up, or attempt to hook up, with a sort of mad desperation.

And now they’re going to do the same thing with Iranian Americans.

A short while ago, the Iranian band Zed Bazi came out with a song called “Iranian of LA,” making fun of the very people who are chosen to represent our community in this show.  Now everyone knows that Iranians are the real origin of the hair “poof” and can party as much as anyone else. But honestly, no one wants to be represented by the type of people and lifestyles shown on Jersey Shore.

The sad thing is there are hundreds of amazing Iranian Americans who deserve some recognition: artists, fashion designers, film directors, actors, doctors, website founders, and more.  But the quiet dignity with which these people live their lives isn’t considered “good TV.”

For a moment, we thought our reputations might be saved with a last-minute addition to your nightly TV line-up: Funny in Farsi. But sadly, that show was nixed after the first episode.

Silly Iranians, we were told by Hollywood, you have three options only: terrorists, savages, or party animals. Take your pick.


Amanpour: Attacked for Being Iranian

March 25, 2010

As with anything in politics, there should be room for a lively debate about Christiane Amanpour’s recent appointment to host ABC’s This Week. Legitimate arguments can be made both for and against the decision to hire an acclaimed foreign correspondent to do a Sunday morning show that previously focused on domestic issues.  And employees at ABC are well within their right to be miffed at the network’s decision to pay top dollar for a star like Amanpour at the same time they are scaling back and laying off long-time employees.

But what cannot be countenanced is accusing her of bias based only on insinuations about her Iranian heritage.  The attacks on Amanpour follow in a long line of Iranophobic attempts to keep qualified Iranian Americans out of the public sphere in America, and it should be called out for what it is: anti-Iranian bigotry.

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Breaking News: Language to Deport Iranians Dropped from STEP Act

January 13, 2010

Major Victory for Iranian-American Community

Washington DC – Congressman Gresham Barrett’s (R-SC) office has confirmed to NIAC that he will drop language aimed at deporting non-immigrant Iranians from the U.S. when he reintroduces the Stop Terrorists Entry Program (STEP) Act today.

This is a major victory for the Iranian-American community.

When the STEP Act was first introduced in 2003, it contained provisions that would have mandated the deportation of all Iranians on student visas, temporary work visas, exchange visas, and tourist visas from the United States within 60 days.

On Tuesday, NIAC staff hand-delivered over 3,500 letters from concerned Americans, asking the Congressman to reconsider his legislation.

Though the elimination of the deportation provisions constitutes a significant victory for the Iranian-American community, the bill remains problematic. It would make it illegal for Iranians to travel to the United States, though some exceptions may be made for medical emergencies and political or religious asylum after “extensive federal screening.”

“Eliminating the deportation provisions is welcomed but it isn’t enough,” said Trita Parsi, President of NIAC. “We shouldn’t make it more difficult for Iranians to seek refuge in the US at a time when repression in Iran is increasing.”